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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>For Immediate Release<br>
Theater (Political / Antiwar)<br>
July 2008<br>
Media Contact: Mary Curtin, 617-241-9664, 617-470-5867 (cell), </span></font><a
href="mailto:marycurtin@comcast.net"><font size=2 face=Arial><span
style='font-size:10.0pt;font-family:Arial'>marycurtin@comcast.net</span></font></a><font
size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'><br>
Local Co-Producer Contact: Faith Verrill, 617-386-9770 (cell), </span></font><a
href="mailto:faithverrill@yahoo.com" title="mailto:faithverrill@yahoo.com"><font
size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>faithverrill@yahoo.com</span></font></a><font
size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p>
<p class=MsoNormal align=center style='text-align:center'><font size=3
face=Arial><span style='font-size:12.0pt;font-family:Arial'><br>
</span></font><font size=2 face=Arial><span style='font-size:10.0pt;font-family:
Arial'><br>
<img border=0 width=406 height=234 id="_x0000_i1025"
src="cid:image001.jpg@01C8EBF9.2CF818E0"><br>
</span></font><strong><b><font face=Arial><span style='font-family:Arial'>The
Boys of Winter</span></font></b></strong><font face=Arial><span
style='font-family:Arial'><br>
<br>
world premiere of an antiwar play <br>
<br>
written by<br>
<b><span style='font-weight:bold'>Barry Brodsky<br>
Dean B. Kaner</span></b><br>
<b><span style='font-weight:bold'>Eric Small</span></b><br>
<b><span style='font-weight:bold'><br>
</span></b>directed by <b><span style='font-weight:bold'><br>
Bridget Kathleen O’Leary</span></b><br>
<br>
<st1:place w:st="on"><st1:City w:st="on"><strong><b><font face=Arial><span
style='font-family:Arial'>Boston</span></font></b></strong></st1:City></st1:place><strong><b><font
face=Arial><span style='font-family:Arial'> Playwrights’ Theatre</span></font></b></strong><b><span
style='font-weight:bold'><br>
<strong><b><font face=Arial><span style='font-family:Arial'>September 5-21</span></font></b></strong><br>
<br>
</span></b>“<b><i><span style='font-weight:bold;font-style:italic'>The Boys of
Winter is a powerful play with <br>
timeless social and political relevance</span></i>.</b>”<br>
(Michael Chiklis, actor, <i><span style='font-style:italic'>The Shield,
Fantastic Four</span></i>)<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'><br>
</span></font><font size=2 face=Arial><span style='font-size:10.0pt;font-family:
Arial'>(<st1:place w:st="on"><st1:City w:st="on">Boston</st1:City>, <st1:State
w:st="on">MA</st1:State></st1:place>) <strong><b><font face=Arial><span
style='font-family:Arial'>The Boys of Winter</span></font></b></strong><strong><b><font
face=Arial><span style='font-family:Arial;font-weight:normal'>, antiwar play
written by </span></font></b></strong><strong><b><font face=Arial><span
style='font-family:Arial'>Barry Brodsky</span></font></b></strong><strong><b><font
face=Arial><span style='font-family:Arial;font-weight:normal'>, </span></font></b></strong><strong><b><font
face=Arial><span style='font-family:Arial'>Dean B. Kaner</span></font></b></strong><strong><b><font
face=Arial><span style='font-family:Arial;font-weight:normal'>, & </span></font></b></strong><strong><b><font
face=Arial><span style='font-family:Arial'>Eric Small</span></font></b></strong><strong><b><font
face=Arial><span style='font-family:Arial;font-weight:normal'>; directed by </span></font></b></strong><strong><b><font
face=Arial><span style='font-family:Arial'>Bridget Kathleen O’Leary</span></font></b></strong><strong><b><font
face=Arial><span style='font-family:Arial;font-weight:normal'>. <font
color=black><span style='color:black'>September 5-21</span></font>;
performances run Fri.*-Sat. at 8 pm, Sun. at 2 pm and 8 pm. [*September 5<sup>th</sup>
benefit performance for Veterans For Peace and Iraq Veterans Against The War.]
At the <st1:place w:st="on"><st1:City w:st="on">Boston</st1:City></st1:place>
Playwrights’ Theatre, <st1:address w:st="on"><st1:Street w:st="on">949
Commonwealth Ave.</st1:Street>, <st1:City w:st="on">Boston</st1:City></st1:address>.
Convenient to the Green Line (B train) [detailed directions at </span></font></b></strong></span></font><a
href="http://www.bu.edu/bpt/directions/index.html"><font size=2 face=Arial><span
style='font-size:10.0pt;font-family:Arial'>www.bu.edu/bpt/directions/index.html</span></font></a><strong><b><font
size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial;font-weight:
normal'>]; wheelchair accessible. Tickets: $20, $10 for students / seniors /
veterans </span></font></b></strong><strong><b><font size=2 face=Arial><span
style='font-size:10.0pt;font-family:Arial'>/ </span></font></b></strong><strong><b><font
size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial;font-weight:
normal'>first responders; group rates available.</span></font></b></strong><font
size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> Box Office
opens one hour before each show (cash or credit cards only). For advance
tickets, log onto </span></font><a href="http://www.ovationtix.com/trs/cal/2692"><font
size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>www.ovationtix.com/trs/cal/2692</span></font></a><font
size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> or call
866-811-4111 (toll free). For general information, log onto </span></font><a
href="http://www.boysofwinterplay.com/"><font size=2 face=Arial><span
style='font-size:10.0pt;font-family:Arial'>www.boysofwinterplay.com</span></font></a><font
size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>.<br>
<br>
<strong><b><i><font face=Arial><span style='font-family:Arial;font-style:italic'>The
Boys of Winter</span></font></i></b></strong><strong><b><font face=Arial><span
style='font-family:Arial;font-weight:normal'> playwrights, </span></font></b></strong><strong><b><font
face=Arial><span style='font-family:Arial'>Dean B. Kaner</span></font></b></strong><strong><b><font
face=Arial><span style='font-family:Arial;font-weight:normal'> and </span></font></b></strong><strong><b><font
face=Arial><span style='font-family:Arial'>Eric Small</span></font></b></strong><strong><b><font
face=Arial><span style='font-family:Arial;font-weight:normal'>, have never met
their Boston-based collaborator </span></font></b></strong><strong><b><font
face=Arial><span style='font-family:Arial'>Barry Brodsky</span></font></b></strong><strong><b><font
face=Arial><span style='font-family:Arial;font-weight:normal'> – in person,
that is. Their intense collaboration has all been done by way of the Internet,
where they have virtually teamed up to tackle the creation of their war-is-hell
drama. <i><span style='font-style:italic'>The Boys of Winter</span></i>
scenario harkens back to the Vietnam War era, yet it easily and eerily could
read in the present tense:</span></font></b></strong><br>
<i><span style='font-style:italic'>Half a world away from <st1:place w:st="on"><st1:country-region
w:st="on">Vietnam</st1:country-region></st1:place> three high school seniors
are playing hockey ... for their lives. The year is 1966. The place is <st1:place
w:st="on"><st1:State w:st="on">Minnesota</st1:State></st1:place>. Upon
graduation they will either go to college or end up in <st1:place w:st="on"><st1:country-region
w:st="on">Vietnam</st1:country-region></st1:place>. Watch the story of these
boys and those around them as their chances dwindle and the miles to war become
fewer</span></i>.<br>
<br>
<i><span style='font-style:italic'>The Boys of Winter </span></i>is a memory
play about a <st1:country-region w:st="on">Vietnam</st1:country-region> veteran
reflecting on his youth in the <st1:place w:st="on">Midwest</st1:place> of the
60’s while reconciling demons in the present. Clearly there is a parallel to
returning veterans from <st1:country-region w:st="on">Iraq</st1:country-region>
and the tragic lessons of <st1:place w:st="on"><st1:country-region w:st="on">Vietnam</st1:country-region></st1:place>,
never learned and repeating themselves 40 years later.<br>
<br>
<i><span style='font-style:italic'>The Boys of Winter</span></i> delves into
the lives of what could be any young man or woman compelled or forced to head
out and “defend this nation” by fighting on foreign soil. If and when they
return, it is a matter of debate as to whether these soldiers and their loved ones
are actually able to move on in a positive manner from their combat duties. <i><span
style='font-style:italic'>The Boys of Winter</span></i> wrestles with the
lessons learned from our nation’s <st1:place w:st="on"><st1:country-region
w:st="on">Vietnam</st1:country-region></st1:place> experience. The playwrights
are keen on provoking current audiences into becoming more aware of those who
are now returning in droves from <st1:country-region w:st="on">Iraq</st1:country-region>
and <st1:place w:st="on"><st1:country-region w:st="on">Afghanistan</st1:country-region></st1:place>.
Instant recall about our current engagement should not only be triggered when
we’re driving under an overpass decorated with signs of “welcome home.”<br>
<br>
<i><span style='font-style:italic'>The Boys of Winter</span></i> world premiere
is being directed by <b><span style='font-weight:bold'>Bridget Kathleen O’Leary</span></b>,
whose father served in Vietnam, and features the performance work of <b><span
style='font-weight:bold'>Sarah Carlin</span></b>, <b><span style='font-weight:
bold'>John Grenier-Ferris</span></b>, <b><span style='font-weight:bold'>Michael
Jorgensen</span></b>, <b><span style='font-weight:bold'>John Oxenford</span></b>,
<b><span style='font-weight:bold'>Elizabeth Rimar</span></b>, and <b><span
style='font-weight:bold'>Zachary J. Winston</span></b>.<br>
<br>
<b><u><span style='font-weight:bold'>More background information</span></u></b>:<br>
<br>
<b><i><span style='font-weight:bold;font-style:italic'>The Boys of Winter</span></i></b>
had humble beginnings in 1991 in <st1:place w:st="on"><st1:City w:st="on">Los
Angeles</st1:City></st1:place> as a story titled <i><span style='font-style:
italic'>The Boys From Minnesota</span></i>. <b><span style='font-weight:bold'>Dean
B. Kaner</span></b> (from <st1:place w:st="on"><st1:City w:st="on">Scottsdale</st1:City>,
<st1:State w:st="on">AZ</st1:State></st1:place>) met <b><span
style='font-weight:bold'>Eric Small</span></b> (from LA), both writers. Kaner
discussed a story based on his friendship with some classmates from <st1:place
w:st="on"><st1:State w:st="on">Minnesota</st1:State></st1:place> in 1966. Small
liked the idea and crafted a story with some new characters with dramatic
twists and turns.<br>
<br>
Later a screenplay was optioned by an independent production company in 1994,
but producer financing never materialized. Kaner and Small retained the rights.
An opportunity came by way of a drama teacher in <st1:place w:st="on"><st1:City
w:st="on">Phoenix</st1:City></st1:place> in 1999 named Jane McSpadden, who
fell in love with the story. She had grown up in the <st1:country-region w:st="on">Vietnam</st1:country-region>
era of the mid-60’s and lost some high school classmates in <st1:place w:st="on"><st1:country-region
w:st="on">Vietnam</st1:country-region></st1:place>. The antiwar theme stuck in
McSpadden’s mind, so much so that she told Kaner if he and Small could adapt
the screenplay to the stage, she would perform it at her high school. The play
was written and<i><span style='font-style:italic'> </span></i>renamed <i><span
style='font-style:italic'>The Boys of Winter</span></i>.<br>
<br>
<i><span style='font-style:italic'>The Boys of Winter</span></i> became an experimental
play performed in <st1:City w:st="on">Phoenix</st1:City> in 1999, then later in
<st1:place w:st="on"><st1:City w:st="on">Los Angeles</st1:City></st1:place> in
2000. The audiences reveled in what they saw on stage, but the authors wanted
to eliminate any remnants of a screenplay. Particularly spurred on by all the
developments in the wake of September 11<sup>th</sup>, Kaner began searching
the Internet in 2006 for a playwright who could capture the story they created,
yet write a completely different play with a stronger more universal antiwar
theme. With the unpopular war in <st1:country-region w:st="on">Iraq</st1:country-region>
on the fast track, it was time to connect the dots from <st1:country-region
w:st="on">Vietnam</st1:country-region> to <st1:place w:st="on"><st1:country-region
w:st="on">Iraq</st1:country-region></st1:place>.<br>
<br>
Fifty playwrights’ works were evaluated and <st1:place w:st="on"><st1:City
w:st="on">Boston</st1:City></st1:place> native <b><span style='font-weight:
bold'>Barry Brodsky</span></b>, who served in the Army during the Vietnam War
and is currently the Director of the Veterans Upward Bound program at UMASS
Boston</span></font><font face=Arial><span style='font-family:Arial'>, </span></font><font
size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>agreed to
rewrite the play. The entire development process was done by the three
playwrights via the Internet and several conference calls. Although <i><span
style='font-style:italic'>The Boys of Winter</span></i> was born in a virtual
world, the story is very much based in reality.<br>
<br>
In April 2007, the play had successful readings at the former Jimmy Tingle’s
Off Broadway space in <st1:City w:st="on">Somerville</st1:City>, <st1:State
w:st="on">MA</st1:State>, and then went on to become runner-up in <i><span
style='font-style:italic'>The Last Play Standing</span></i> competition in <st1:place
w:st="on"><st1:City w:st="on">Chicago</st1:City></st1:place> in October 2007.<br>
<br>
<b><span style='font-weight:bold'>Barry Brodsky</span></b> was born, raised,
and educated in <st1:place w:st="on"><st1:City w:st="on">Boston</st1:City></st1:place>.
His stage plays have been produced in many cities; two have been published in
anthologies, and a third, <i><span style='font-style:italic'>All Other Nights</span></i>
was recently published. Two of his screenplays have been optioned by an
independent <st1:City w:st="on">Boston</st1:City> producer, and he teaches
screenwriting classes at UMASS Boston and at <st1:place w:st="on"><st1:PlaceName
w:st="on">Emerson</st1:PlaceName> <st1:PlaceType w:st="on">College</st1:PlaceType></st1:place>.
Brodsky is the Director of the Veterans Upward Bound program at UMASS Boston, a
pre-collegiate program for veterans seeking to go to college. He received a BA
in Politics from UMASS Boston and an MFA in Theatre Arts from <st1:place w:st="on"><st1:PlaceName
w:st="on">Brandeis</st1:PlaceName> <st1:PlaceType w:st="on">University</st1:PlaceType></st1:place>.
Brodsky served in the Army from 1967-70 during the Vietnam War and is a member
of the Smedley Butler Brigade, Veterans for Peace.<br>
<br>
<b><span style='font-weight:bold'>Dean B. Kaner</span></b>, who served in the <em><i><font
face=Arial><span style='font-family:Arial;font-style:normal'>USAF Reserve</span></font></i></em>,
began writing plays out of college. He co-wrote and co-produced <i><span
style='font-style:italic'>The Night of Broken Glass</span></i> with award
winning playwright the late Alice Josephs. Kaner also co-wrote the play <i><span
style='font-style:italic'>Hardball</span></i> based on his grandfather’s life
in a semi-pro baseball league in northern <st1:place w:st="on"><st1:State
w:st="on">Wisconsin</st1:State></st1:place>. It premiered in <st1:place w:st="on"><st1:City
w:st="on">Memphis</st1:City></st1:place> at Playwrights’ Forum on May 30,
2008. Switching from drama to comedy, he co-wrote the play <i><span
style='font-style:italic'>Pets Are Human Too</span></i>. Kaner’s present
screenplay credits include <i><span style='font-style:italic'>The Ditz Sisters</span></i>
under representation by Cary Koslov and Associates, <st1:place w:st="on"><st1:City
w:st="on">Los Angeles</st1:City></st1:place>, a WGA literary agency. He resides
in <st1:place w:st="on"><st1:City w:st="on">Scottsdale</st1:City>, <st1:State
w:st="on">AZ</st1:State></st1:place> with his family.<br>
<br>
Peter Bogdanovich was an early mentor to <b><span style='font-weight:bold'>Eric
Small</span></b> while he studied film at UCLA where he graduated with honors.
For the next decade Small worked as a first assistant director in television
and film. He joined the Director’s Guild of America and was fortunate to work
with many talented and influential directors. All the while, Small was a
screenwriter looking for the proverbial “break,” which came with the sale of
his original screenplay <i><span style='font-style:italic'>Rubicon</span></i>
to Touchstone Pictures. Assignments followed for the studios. One screenplay, <i><span
style='font-style:italic'>Blue Blazes,</span></i> was awarded the Gold Medal
for Best Screenplay at <st1:place w:st="on"><st1:City w:st="on">Houston</st1:City></st1:place>’s
International Film Competition. Small debuted as a director with <i><span
style='font-style:italic'>The Dust Factory</span></i>, a film he produced from
his original screenplay for MGM/UA. He followed with <i><span style='font-style:
italic'>The Probe</span></i>, a one-hour drama he co-created for the FX Network
and 20<sup>th</sup> Century Fox. Most recently, Small is the co-creator of the
Emmy-nominated and WGA award-winning Showtime original series <i><span
style='font-style:italic'>Penn & Teller: Bullshit!</span></i> He lives in <st1:place
w:st="on"><st1:City w:st="on">Los Angeles</st1:City></st1:place> with his
family.<br>
<br>
<strong><b><font face=Arial><span style='font-family:Arial'>Bridget Kathleen
O’Leary</span></font></b></strong>, who is an <em><i><font face=Arial><span
style='font-family:Arial;font-style:normal'>Artistic Associate at the New
Repertory Theatre</span></font></i></em><em><i><font face=Arial><span
style='font-family:Arial'>, </span></font></i></em>received her MFA in
directing at <st1:place w:st="on"><st1:PlaceName w:st="on">Boston</st1:PlaceName>
<st1:PlaceType w:st="on">University</st1:PlaceType></st1:place>. Most
recently, she completed her thesis production of <em><i><font face=Arial><span
style='font-family:Arial'>Rosencrantz and Guildenstern are Dead</span></font></i></em>.
Prior to her thesis, O’Leary directed the Boston Playwright’s Theatre
production of <em><i><font face=Arial><span style='font-family:Arial'>The
Devil’s Teacup</span></font></i></em>. In 2007 she assisted Artistic Director
Wendy C. Goldberg at the National Playwrights’ Conference at the Eugene O’Neill
Theater Center, where she assisted on new plays by Rebecca Gilman and Roberto
Aguirre-Sacasa. B.U. credits include <em><i><font face=Arial><span
style='font-family:Arial'>The American Clock</span></font></i></em>, <em><i><font
face=Arial><span style='font-family:Arial'>Curse of the Starving Class</span></font></i></em>,
and Sarah Kane’s <em><i><font face=Arial><span style='font-family:Arial'>Crave</span></font></i></em>
and <em><i><font face=Arial><span style='font-family:Arial'>4.48 Psychosis</span></font></i></em>.
While in <st1:City w:st="on">Washington</st1:City>, <st1:State w:st="on">D.C.</st1:State>,
O’Leary worked with the <st1:PlaceName w:st="on">Olney</st1:PlaceName> <st1:PlaceType
w:st="on">Theatre</st1:PlaceType> <st1:PlaceType w:st="on">Center</st1:PlaceType>,
Theater Alliance, Cherry Red Productions, Charter Theater, Studio Theatre
Second Stage, and <st1:place w:st="on"><st1:City w:st="on">Phoenix Theatre</st1:City>
<st1:State w:st="on">DC</st1:State></st1:place>, of which she was a founding
member. DC directing credits include <st1:place w:st="on"><st1:City w:st="on"><em><i><font
face=Arial><span style='font-family:Arial'>Independence</span></font></i></em></st1:City></st1:place>,
<em><i><font face=Arial><span style='font-family:Arial'>Parallell Lives</span></font></i></em>,
and the creations of <em><i><font face=Arial><span style='font-family:Arial'>Unwrapped
</span></font></i></em>and <em><i><font face=Arial><span style='font-family:
Arial'>Lulu Fabulous </span></font></i></em>by area playwrights. O’Leary’s
father is a Vietnam War veteran.<o:p></o:p></span></font></p>
<p class=MsoNormal align=center style='text-align:center'><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'><br>
###END###<o:p></o:p></span></font></p>
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<br>
<br>
--submitted by marycurtinproductions<br>
c/o Mary Curtin<br>
<st1:address w:st="on"><st1:Street w:st="on">PO Box 290703</st1:Street>, <st1:City
w:st="on">Charlestown</st1:City>, <st1:State w:st="on">MA</st1:State> <st1:PostalCode
w:st="on">02129</st1:PostalCode></st1:address><br>
617-241-9664, 617-470-5867 (cell), </span></font><a
href="mailto:marycurtin@comcast.net"><font size=2 face=Arial><span
style='font-size:10.0pt;font-family:Arial'>marycurtin@comcast.net</span></font></a><font
face=Arial><span style='font-family:Arial'><br>
</span></font><font size=2 face=Arial><span style='font-size:10.0pt;font-family:
Arial'>"dedicated to staging insightful entertainment, particularly in
non-traditional venues"<br>
</span></font><a href="http://www.marycurtinproductions.com/" target="_blank"
title="http://www.marycurtinproductions.com/"><font size=2 face=Arial
title="http://www.marycurtinproductions.com/"><span style='font-size:10.0pt;
font-family:Arial'>http://www.marycurtinproductions.com</span></font></a><font
size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p>
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<P><FONT SIZE=2>No virus found in this outgoing message.<BR>
Checked by AVG.<BR>
Version: 7.5.524 / Virus Database: 270.5.3/1563 - Release Date: 7/20/2008 12:59 PM<BR>
</FONT> </P>
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<P><FONT SIZE=2>No virus found in this outgoing message.<BR>
Checked by AVG.<BR>
Version: 7.5.524 / Virus Database: 270.5.3/1563 - Release Date: 7/20/2008 12:59 PM<BR>
</FONT> </P>
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